online games browser Thank you for reading Hyperallergic! Subscribe to our newsletter Privacy Policy Success! Your account was created and you’re signed in. Please visit My Account to verify and manage your account. An account was already registered with this email. Please check your inbox for an authentication link. Support Independent Arts Journalism As an independent publication, we rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider becoming a member today . Already a member? Sign in here. Support Hyperallergic’s independent arts journalism for as little as $8 per month. Become a Member Last week, Ridley Scott’s eagerly anticipated Gladiator II premiered in theaters across the United States. More than two decades after his first trip to the arena in Gladiator (2000), Scott’s follow-up focuses not on the reign of Commodus, who murders his father, Marcus Aurelius, for the throne in the first movie, but rather on the rule of the Roman imperial brothers Caracalla (Fred Hechinger) and Geta (Joseph Quinn). It is now the year 211 CE, and the Colosseum is filled with gladiators, rhinoceroses, and some ahistorical sharks. Those arena sharks are just one of many anachronisms, but the bigger problem with the film is its portrayal of the new rulers. Despite their casting as pasty strawberry blondes, for instance, the real-life counterparts of Caracalla and Geta were sons of an African Roman emperor named Septimius Severus and a Syrian woman named Julia Domna. The film has its fun in casting aspersions on the masculinity and leadership abilities of these fraternal rulers by cladding them in lavish colors and thick cosmetics and accessorizing them with jewelry and even a pet monkey. It misses out, however, on the opportunity to explore the fascinating, colorful, and syncretistic world of the real Severans being reconstructed by art historians and artists today. Before we can understand how these two Afro-Syrian brothers came to power, we must return to the demise of Commodus. In the first Gladiator , the former general and then enslaved gladiator Maximus Decimus Meridius (Russell Crowe) kills the evil emperor Commodus (Joaquin Phoenix) as 50,000 Romans watch in the Colosseum. In reality, Commodus, Marcus Aurelius’ son, was killed by a youthful athlete named Narcissus in 192 CE. The assassin strangled the ruler while he was in a bath in his house on Rome’s Caelian Hill. Get the latest art news, reviews and opinions from Hyperallergic. Daily Weekly Opportunities By that time, it had been almost ten years since the real Commodus killed his sister, Lucilla, in 182 CE. In the movie version, however, Lucilla (Connie Nielsen) remains alive, playing the long-suffering mother of Lucius (Paul Mescal), the hero of Gladiator II . In Roman history, the period of uncertainty after Commodus’ demise was called the “ Year of the Five Emperors .” Ultimately, it was a Roman governor of Punic and Italian origins named Septimius Severus who marched on the city of Rome with the support of the Roman legions from along the Rhine and Danube rivers, becoming the new emperor. His second wife, Julia Domna, was the wealthy daughter of a priest from Emesa in present-day Homs, Syria. When the Severan Dynasty came to power in 193 CE, the couple already had a pair of sons: five-year-old Caracalla and four-year-old Geta. In the film, the two are depicted as twins, and their father is not seen at all. Not only does the African emperor not make it to the screen in Gladiator II , but the Africans that are depicted play the role of barbaric outsiders in ways both problematic and familiar. Lucius, who goes by the Phoenician name Hanno, was raised to hate Rome in the African province of Numidia. Despite his upbringing, Lucius eventually reveals that he is a Virgil-quoting Roman only hiding in the garb of an African. Numidia and other such provinces such as Africa Proconsularis are characterized as rebellious and non-Roman from the opening scenes of the movie, during which an uprising is put down by the Roman general Marcus Acacius (Pedro Pascal). This, even though they had by then been part of the Roman Empire for many centuries, and a great number of wealthy Roman families were living within them. The most allegedly progressive casting for the movie was Denzel Washington as the African usurper Macrinus, a gladiator troupe owner and power broker. The real Macrinus was a Mauritanian and a praetorian prefect from a wealthy family of elite Roman equestrians originally based in what is now Algeria. Scott’s Macrinus, though, is no equestrian elite, but rather an ambitious nouveau-riche who trades in gladiators, slaves, and soft power. Instead of depicting Macrinus as the wealthy African from an established Roman family that he is, Scott chooses to depict Macrinus as an upstart and — as it is revealed later — a formerly enslaved person. One of the only attempts in the film to address Rome’s oppressive use of enslaved labor comes in the last bloody moments of the jumbled plot. Finally revealing his background, Macrinus tells Lucius that he was once enslaved by Marcus Aurelius, a nod to the fact that emperors enslaved hundreds of people as part of the familia Caesaris , or “family of Caesar.” Not long after, Macrinus kills Geta and eventually Caracalla as well, seizing power. The triumphal Macrinus now stands in the hallowed halls of the Roman Senate House as the acclaimed emperor. And yet, Macrinus’ former servitude and ire toward Marcus Aurelius goes unexplored. This was yet another missed opportunity for Macrinus, and by extension, Scott and the film writ large, to speak up about the real Marcus Aurelius. Just as he was in the previous film, Aurelius continues to be extolled, quoted, and aesthetically referenced in sculpture due to the ahistorical notion that he wanted to rid Rome of imperial succession and return to the Republic that existed before Julius Caesar. Although the emperor has enjoyed much celebration by wealthy technocrats obsessed with quoting Stoic virtues from the emperor’s Meditations, the real Marcus Aurelius was a man who chose his own biological son, Commodus, to take over as Roman Emperor. This broke with over 80 years of emperors adopting more fitting rulers to take over the Roman Empire during the course of the second century CE. He put family before community in a way neither Gladiator or Gladiator II ever reckons with. And he did so while adopting a Stoic philosophy that promotes being happy with one’s lot in life and not focusing on wealthy. This is a much easier thing to do when one is born an emperor rather than a slave. In other ways, African identity is glossed over altogether in Gladiator II — the Afro-Syrian lineage of Geta and Caracalla is never addressed . The brothers’ family is non-existent. Archaeological remains tell a different story. Perhaps the most famous depiction of the emperor, his wife, and his children comes from a painted tondo dated to around 199–200 CE made about seven years into Septimius Severus’ reign and found in Djemila in present-day Algeria . The tondo allows for more insight into the variant skin tones within the Roman Mediterranean and further investigation into what the Severans looked like in real life. The famed portrait is not the only evidence that allows us to access how the Severans looked. Leading art historians and artists are now working with the Sidney and Lois Eskenazi Museum of Art at Indiana University to try and reconstruct the Severans using the vestiges of ancient polychromy left on two busts of Septimius Severus and Julia Domna in the museum collection. Working with Mark Abbe , an Associate Professor of Art History and Classics at the University of Georgia and a leading polychromy scholar, and Stephen Chappell , an independent digital artist, the museum is using new microscopic analyses of the remaining colorants on the museum’s busts in order to suggest a number of possible reconstructions for Severus and Domna. The busts and multiple possible reconstructions sit side-by-side in the gallery. A new publication, Imperial Colors: The Roman Portrait Busts of Septimius Severus and Julia Domna (2023), reveals these new reconstructions while also showing how Septimius Severus and Julia Domna used references to Egyptian gods like Serapis and Isis to accentuate the fact that they “had one foot planted in Africa and the other in Rome.” Demonstrating that wealthy Africans served as Roman senators, magistrates, and respected citizens in imperial Rome long before (and many years after) the Severans came to power dissolves the casting of Africa and Africans in Gladiator II as largely rebellious, uncivil, and above all, outside of the bounds of the Roman empire . In comments to Hyperallergic, archaeologist and Classics professor Vivian Laughlin also discussed the importance of using these reconstructions to teach students about the diversity of the Roman Mediterranean. “Scientific analysis of the hue of his skin can negate the preconceived notion that just because Severus was a Roman Emperor, he must have appeared European, without any melanin,” Laughlin remarked. Showing students that skin tone and Africanness did not hinder political position continues to chip away at the modern assumption about Rome’s Whiteness. Septimius Severus eventually died in February of 211 CE, leaving his sons to co-rule for less than a year. Despite their father’s alleged last words urging them to get along, Caracalla would have his brother, Geta, killed later that year. Caracalla then served as emperor alone for almost six more years thereafter, before the praetorian prefect Macrinus would have him murdered by a soldier. The Syrian mother of the brothers, never depicted or referenced in the film, would not die until 217 CE in Antioch (Turkey) in the same year as her son. Caracalla’s 14-year-old cousin from his Syrian side, a teenager named Elagablus , would then bring the Severan dynasty back to power, followed by a final Severan named Severus Alexander. Despite never being addressed in the film, the Afro-Syrian parentage of Geta and Caracalla is crucial to Roman history: It remained an important part of the public art and coinage produced by the Severan dynasty until its fall in 235 CE. What pained me the most about Gladiator II was not the many anachronistic or ahistorical gaffes that ranged from references to hoses, newspapers, and sharks in the Colosseum to inscriptions in both English and Latin — it was the damage done by perpetuating false ideas about Africa and its supposedly “good” emperors. Films don’t have to be historically accurate to be good or enjoyable. I still rewatch Spartacus (1960) every year, despite its historical flaws . But movies set in historical time periods do wield an undeniable public power — and thus responsibility. As I gaped at the white marble of the famed Apollo Belvedere , which made a brief cameo in the third act of Gladiator II , I wanted more than just painted statues or colorful architecture to be visualized for the audience. Omission can cause more damage than inaccuracy. Ignoring the Afro-Syrian identity of Geta and Caracalla in both casting and in plot, all while also erasing women like Julia Domna altogether, reinforces the popular assumption that Rome’s diversity lay only in the outlying places it conquered. Instead, we can and should recognize that it also existed among the elite Romans doing the conquering. We hope you enjoyed this article! Before you keep reading, please consider supporting Hyperallergic ’s journalism during a time when independent, critical reporting is increasingly scarce. Unlike many in the art world, we are not beholden to large corporations or billionaires. Our journalism is funded by readers like you , ensuring integrity and independence in our coverage. We strive to offer trustworthy perspectives on everything from art history to contemporary art. We spotlight artist-led social movements, uncover overlooked stories, and challenge established norms to make art more inclusive and accessible. With your support, we can continue to provide global coverage without the elitism often found in art journalism. If you can, please join us as a member today . Millions rely on Hyperallergic for free, reliable information. By becoming a member, you help keep our journalism free, independent, and accessible to all. Thank you for reading. Share Copied to clipboard Mail Bluesky Threads LinkedIn FacebookFinancing faceoff: Can Lind get his grand project past government goaltenders?

PlayStation Growth Boosts Sony Shares to Record Closing HighIn a lengthy speech at the Brookings Institution, a Washington, D.C. think tank, on Tuesday, President Joe Biden forcefully defended his economic legacy and harshly criticized his successor. “Most economists agree the new administration is going to inherit a fairly strong economy, at least at the moment, an economy going through fundamental transformation,” Biden said. “It is my profound hope that the new administration will preserve and build on this progress. Like most great economic developments, this one is neither red nor blue, and America's progress is everyone's progress.” RELATED STORY | What impacts will a Trump presidency have on the economy? The president pointed specifically to record job growth during his tenure and an historically-low unemployment rate, as well as solid GDP performance, major investments in infrastructure and a soaring stock market. Most economists agree Biden’s term in office has coincided with a strong jobs market, and note the economic forecast remains bright – especially when contrasted to that of other peer nations, many of which have struggled to rebound from the COVID-19 pandemic. And yet, Americans by and large disapprove of Biden’s economic tenure, particularly the high costs of goods and services. Though inflation has fallen some, it remains higher than when the president took office and has become a frequent point of attack for Republicans critical of the Biden administration. RELATED STORY | Wealthier Americans are driving retail spending and powering US economy President-elect Donald Trump’s victory last month served in some was as a repudiation of the president’s so-called “Bidenomics” policies, with most voters telling pollsters they were dissatisfied with the state of the U.S. economy and Biden’s handling of the issue. Since Trump’s election, attitudes towards the economy have improved slightly, particularly among Republicans; according to research from Gallup, just eight percent of Republicans in October viewed economic conditions as getting better, compared to 30% last month. Biden himself seemed to acknowledge some missteps in selling his economic vision to Americans. “I also learned something from Donald Trump,” Biden said. “He signed checks for people for $7,400 bucks,” the president noted of the pandemic-era relief measures. Even though Biden approved similar relief efforts during his term, his name never appeared on American’s checks. “I didn't – stupid,” Biden conceded. RELATED STORY | Powell says Fed will likely cut rates cautiously given persistent inflation pressures Seeking to bolster Biden’s economic legacy, the White House on Tuesday launched a new website hailing the “Biden Economy,” featuring statistics about economic performance during his term and complimentary videos from his supporters. Biden’s speach, meanwhile, also served as a warning of sorts to his successor, with the president arguing against tax cuts for the wealthy and the notion that such benefits would “trickle down” to middle class Americans. “You can make as much money as you can, good for you, but everybody's got to be they pay their fair share,” Biden said. Trump has pledged to extend the tax cuts he signed into law in 2017, telling NBC News he intends to submit a tax package to Congress within his first 100 days in office. “They’re coming due and they’re very substantial for people,” Trump said of his 2017 cuts. “That’s what led us to one of the greatest economies ever.” RELATED STORY | Amid corporate layoffs, 36% of workforce turns to gig economy for alternative employment A report by the nonpartisan Congressional Budget Office in December found that failing to extend those tax incentives would have a negligible impact on the economy, though Republicans are expected to pursue them and other business tax breaks after they retake both chambers of Congress next year. Trump has also promised to impose significant tariffs on the import of foreign goods from Mexico, Canada and China – despite economists’ and retailers’ warnings that will drive up consumer prices. Trump in the NBC interview said he couldn’t guarantee the move wouldn’t increase consumer costs, something Biden harshly refuted. “I believe we've proven that approach is a mistake over the past four years,” Biden said. “But we all know in time, we all know in time what will happen.”( MENAFN - GetNews) In Huai'an, Jiangsu Province, Professor Amir from the UK has spent the past ten years forging a deep connection with this city. As a professor at Huaiyin Institute of technology and the chief expert of the Foreign Experts Studio in Jiangsu Province, he has not only excelled in teaching and scientific research but also developed a profound affection for this vibrant region. Since arriving in Huai'an in 2015, Amir has become a key figure in the city's scientific and technological landscape.. He owns 12 innovative patents, has guided over 1,500 students, and developed more than 60 robots. Behind these achievements lies strong support from the local government and the school. The Huai'an Municipal Government and Huaiyin Institute of Technology have provided him with a superior research and development environment and policy support, enabling his laboratory to become an important base for nurturing innovative talents. In addition to his remarkable achievements in scientific research, Amir has also developed a deep appreciation for the culture and lifestyle of Huai'an. He is not only passionate about traditional Chinese arts like calligraphy and Tai Chi Chuan, but has also grown fond of the local street food and historical landmarks. From the rice cakes on Nanmen Street to the beautiful scenery along the Grand Canal Cultural Corridor, Amir is familiar with them. The rapid development of Huai'an has also greatly impressed Amir. The construction of modern roads, high-speed railway stations and commercial supermarkets has not only made travel more convenient but also injected new vitality into the city. Amir admits that life in Huai'an is both relaxing and comfortable, and he has already regarded this place as his second hometown. Looking ahead, Amir envisions a long-term future in Huai'an, where he hopes to continue contributing to the city's technological advancements and nurturing innovative talents. He believes that Huai'an, a city brimming with untapped potential and opportunities, will continue to surprise him and inspire even greater achievements. MENAFN18122024003238003268ID1109009555 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.

Mohonasen grad Swan named USCAA Honorable Mention All-American — College RoundupSyria's de facto leader says it could take up to 4 years to hold elections

By Funto Omojola, NerdWallet Mobile wallets that allow you to pay using your phone have been around for well more than a decade, and over those years they’ve grown in popularity, becoming a key part of consumers’ credit card usage. According to a “state of credit card report” for 2025 from credit bureau Experian, 53% of Americans in a survey say they use digital wallets more frequently than traditional payment methods. To further incentivize mobile wallet usage, some credit card issuers offer bonus rewards when you elect to pay that way. But those incentives can go beyond just higher reward rates. In fact, mobile wallets in some ways are becoming an essential part of activating and holding a credit card. For example, they can offer immediate access to your credit line, and they can be easier and safer than paying with a physical card. From a rewards perspective, it can make a lot of sense to reach for your phone now instead of your physical card. The Apple Card offers its highest reward rates when you use it through the Apple Pay mobile wallet. Same goes for the PayPal Cashback Mastercard® when you use it to make purchases via the PayPal digital wallet. The Kroger grocery store giant has a co-branded credit card that earns the most when you pay using an eligible digital wallet, and some major credit cards with quarterly rotating bonus categories have a history of incentivizing digital wallet use. But again, these days it’s not just about the rewards. Mobile wallets like Apple Pay, Samsung Pay and PayPal can offer immediate access to your credit line while you wait for your physical card to arrive after approval. Indeed, most major issuers including Bank of America®, Capital One and Chase now offer instant virtual credit card numbers for eligible cards that can be used upon approval by adding them to a digital wallet. Additionally, many co-branded credit cards — those offered in partnership with another brand — commonly offer instant card access and can be used immediately on in-brand purchases. Credit cards typically take seven to 10 days to arrive after approval, so instant access to your credit line can be particularly useful if you need to make an urgent or unexpected purchase. Plus, they allow you to start spending toward a card’s sign-up bonus right away. As issuers push toward mobile payments, a growing number of merchants and businesses are similarly adopting the payment method. The percentage of U.S. businesses that used digital wallets increased to 62% in 2023, compared to 47% the previous year, according to a 2023 survey commissioned by the Federal Reserve Financial Services. Wider acceptance is potentially good news for the average American, who according to Experian has about four credit cards. While that won’t necessarily weigh down your wallet, it can be hard to manage multiple cards and rewards categories at once. Mobile wallets offer a more efficient way to store and organize all of your workhorse cards, while not having to carry around ones that you don’t use often. They can also help you more easily monitor your spending and rewards, and some even track your orders’ status and arrival time. Plus, paying with a digital wallet offers added security. That’s because it uses technology called tokenization when you pay, which masks your real credit card number and instead sends an encrypted “token” that’s unique to each payment. This is unlike swiping or dipping a physical card, during which your credit card number is more directly accessible. And again, because a mobile wallet doesn’t require you to have your physical cards present, there’s less chance of one falling out of your pocket or purse. More From NerdWallet Funto Omojola writes for NerdWallet. Email: fomojola@nerdwallet.com. The article Activating Your Credit Card? Don’t Skip the Mobile Wallet Step originally appeared on NerdWallet .Gorilla Tech Stock Up For 4th Straight Session Following Positive Investor Update, Capital Strengthening: Retail Uber-bullishDevolver Digital has announced the return of Devolver Delayed – the now-annual showcase of Devolver-published games which are set to miss their planned launch windows – for . During the tongue-in-cheek show, a range of developers will pop in to reveal their progress, confirming small or major delays to game development. While ordinarily, a delay would be announced with a sombre message, Devolver Digital is known for always taking the quirkier approach where possible. So, we’ll see a light-hearted showcase that makes fun, rather than revels in disappointment. Based on wording in a press release, this year’s Devolver Delayed will be a direct parody of The Game Awards, with the publisher hosting “an awards extravaganza dedicated to the brightest, best indie games you can’t play yet.” Expect some silly awards to be handed out, in a bite-sized comedy show designed to lessen the sting of delayed games. As for what could appear, there are several games on the Devolver Digital roster that have been announced, but haven’t released just yet. This list includes titles like and more. Devolver has also hinted there will be new game announcements included in the show. How to watch Devolver Delayed 2024 To tune in to see all the Devolver Digital games that’ve been delayed, at the following times: As Devolver says, as well as tuning in, it’s important to remember: “Never get your hopes up.” We’ll find out which upcoming games have been delayed very shortly.Meat supply resumed to French supermarket chain stores in Brazil after apology

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